Studio Visits: The idiosyncratic work of Meg Langhorne explores gods, parables and more
Sitting on the studio floor with its back tilted against the wall, Judith Beheading Holofernes (After Caravaggio) offers a grotesque yet darkly humorous insight into the art of Meg Langhorne. The San Antonio artist altered the Baroque masterpiece depicting the biblical tale of the beheading of an Assyrian general by replacing Judith's head with that of a doe.
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